For the most part, I've had my fill of zombie movies. Although classics like 28 Days Later along with the initial episodes from The Walking Dead proved enjoyable, this category feels mostly depleted nowadays. Even the much-awaited 28 Years Later remains gathering dust in my watchlist for some time. However, Netflix's latest Indonesian zombie flick, The Elixir, managed to defy my expectations turning out remarkably entertaining.
Excellent Pacing and Character Growth
Among this movie's greatest assets is its superb rhythm. It kicks off using a striking opening sequence in which a peaceful family gathering gets suddenly interrupted by a van plows into the seating section. Out of the van, an extremely zombie-like individual emerges proceeding attacking the attendees. This dramatic scene is immediately followed by a look back, giving viewers to see the family prior to the disaster struck.
Unlike many zombie films, The Elixir truly gives the audience sufficient time to become acquainted with the primary personalities prior to the carnage ensues. We meet Nes, a married mother with a ex close friend, Karina, is now married to her dad—a clearly awkward situation. Naturally, this has predictably caused a falling out between the two women. Then there's her sibling, Bang, who is kind-hearted but a bit inept socially, and he loves gaming with Nes' young son, Raihan. Nes' husband, Rudi, appears to have recently been unfaithful to her. This household patriarch consists of Nes' father, who runs a well-known natural medicine company named Wani Waras, and he seems focused on only two aspects: his business and his wife to Nes' ex-best friend. Unsurprisingly, this gathering proves extremely tense.
Engaged in the Conflict
I became so invested with this family's dynamics and their personal conflicts that I nearly overlooked this was a horror film—which might sound like a negative, yet ultimately paid off. The Elixir spends a considerable portion of the film to showing viewers the identity of every relative is, plus the ways they contribute to the general dysfunction. This focus on conflicting traits allowed the audience to connect to the personalities sufficiently to care about their outcome—a rare feat for this style that often presents characters just to eliminate them soon after. The Elixir doesn't treat its cast as two-dimensional, disposable victims for an army of the undead to devour, thus it's a genuine surprise when things finally go wrong.
Reminiscent of Parasite
The opening scenes of the party and the multiple family interactions actually evoke the movie Parasite, a story that masquerades as a Korean drama with slightly dark comedy prior to making an abrupt turn into shocking ground. These early moments aren't centered as much on comedy compared to Parasite, but The Elixir still provides enough time to immerse in the setting prior to everything gets upended.
Original Infection Source
This movie also offers a quite interesting explanation for the source of the spreading transformation. Rather than an accidental lab leak or a type of biological weapon, the source of this contagious disease stems from a new batch of Wani Waras herbal remedies developed by her dad. Although some background is provided something regarding its origins, it would have been better if the movie had spent a little more focus explaining how Wani Waras went from a reputable supplier of holistic medicine to creating a deadly potion which seems to contain an extremely infectious pathogen. Despite the limited context, the effect this condition has on people is absolutely disgusting, which I appreciate. The Elixir's zombies prove fast, bizarre in appearance, and, perhaps worst of all, always smiling. This represents a bold choice, yet it succeeds. The Elixir's physical effects and computer graphics are also very convincing, and they're practically guaranteed to trigger one's trypophobia.
Capable Characters
More impressive compared to the gross-out scenes are the characters themselves. Of course, we see some instances of dubious choices (like any typical undead film), but for the most part, Nes and her relatives are resourceful and quick-thinking. Additionally, they aren't afraid to kick a zombie in the head, stab it with a pitchfork, or hit it on the skull with whatever blunt instrument they find instead of freezing like a deer caught in lights as death nears.
Realistic Familial Strike
The Elixir doesn't drop its themes on family conflict once individuals begin transforming into zombies, which was a welcome realistic subversion from that "We don't get along|"We have issues, but you almost died so I instantly forgive you for everything! cliché frequently used in end-of-world movies. It's clear, Nes loves her family and values her spouse, Rudi, yet it's equally apparent she's still clinging to resentment regarding his infidelity in their relationship. Once the household gets separated, they agree via telephone to regroup at a close spot. However, once Bang admits he is unaware how to get there, Nes expresses a massive level of irritation on her brother that's clearly been building over time. Nes isn't flawless, and her family—with all their imperfections—feel realistic and relatable since the movie doesn't try to push the notion that nearly dying instantly cures familial strife. This causes the moments where these individuals do show gratitude toward one another feel far more genuine.
Predictable Conclusion
In spite of The Elixir's strong efforts to break new ground, the ending must be said to be somewhat formulaic. The Elixir isn't really presenting any deep insight regarding relatives or society, as well. Rather, it's primarily delivering frights. But they're effective frights, and since the film gives each character enough room to develop and doesn't punish them for their imperfections, the result proves an engaging and enjoyable
